By Esther M. K. Cheung,Gina Marchetti,Esther C. M. Yau

A spouse to Hong Kong Cinema presents the 1st complete scholarly exploration of this distinct international cinema. by way of embracing the interdisciplinary method of up to date movie and cultural reports, this assortment navigates theoretical debates whereas charting a brand new path for destiny study in Hong Kong film.

  • Examines Hong Kong cinema inside of an interdisciplinary context, drawing connections among media, gender, and Asian studies, Asian local experiences, chinese and cultural experiences, worldwide stories, and significant theory
  • Highlights the usually contentious debates that form present brooding about movie as a medium and its attainable future
  • Investigates how altering examine on gender, the physique, and sexual orientation modify the ways that we study sexual distinction in Hong Kong cinema
  • Charts how advancements in theories of colonialism, postcolonialism, globalization, neoliberalism,  Orientalism, and nationalism remodel our knowing of the economics and politics of the Hong Kong movie industry
  • Explores how the thoughts of diaspora, nostalgia, exile, and trauma supply possibilities to reconsider authorised methods of realizing Hong Kong’s renowned cinematic genres and stars

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A Companion to Hong Kong Cinema (CNCZ - Wiley Blackwell Companions to National Cinemas) by Esther M. K. Cheung,Gina Marchetti,Esther C. M. Yau

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