By Roberto Diodato,Silvia Benso,John Protevi,Justin L. Harmon

Reconfigures vintage aesthetic innovations on the subject of the newness brought via digital bodies.

Arguing that the digital physique is anything new—namely, an entity that from an ontological viewpoint has only in the near past entered the world—Roberto Diodato considers the results of this sort of physique for aesthetics. digital our bodies insert themselves into the gap unfolded by way of the recognized contrast in Aristotle’s Physics among traditional and synthetic beings—they are either. they're beings which are at the same time occasions; they're photos which are right away inner and exterior; they're ontological hybrids that exist purely within the interplay among logical-computational textual content and human our bodies endowed with technological prostheses. Pursuing this line of notion, Diodato reconfigures vintage aesthetic techniques similar to mimesis, illustration, the relation among phantasm and truth, the character of pictures and mind's eye, and the idea of sensory knowledge.

Roberto Diodato is affiliate Professor of Aesthetics on the Catholic collage of the Sacred middle in Milan, Italy.

Justin L. Harmon is a instructing assistant within the Philosophy division on the college of Kentucky.

Silvia Benso is Professor of Philosophy on the Rochester Institute of Technology.

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Aesthetics of the Virtual (SUNY series in Contemporary Italian Philosophy) by Roberto Diodato,Silvia Benso,John Protevi,Justin L. Harmon


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